Resources

Create News 16 : Róise Goan reflects on Festivals and Collaborative Practice

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Róise Goan

In 2011, the Arts Council took a bold step in initiating a conversation with a number of festivals nationally around the observed interest and growing international trend towards the presentation of projects rooted in arts and health practice at festivals.

published 1 May 2014

related events Check Up Check In 2019, Waterford

Create News 15: Gabriel Gbadamosi on Representation and Diversity

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Gabriel Gbadamosi

I was born by a river
I grew up in London, within the sound of Big Ben, a short walk to the Houses of Parliament. It was a lively, crowded place of poor, largely immigrant families and bomb-damaged houses. Our first playgrounds were bomb sites. We were living on the ruins of a city our parents came to rebuild. We thought everyone was like us…

published 1 November 2013

Create News 14: Grant Kester on Collaborative Practice and the limits of Criticism

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Grant Kester 

With the exponential growth of collaborative and dialogical art practices over the past decade we begin to see something like a crisis in contemporary art criticism, as conventionally trained historians and critics struggle to come to terms with a form of artistic production which challenges many of their normative assumptions about the work of art.

published 1 May 2013

Create News 13: Ruairí Ó Cuív on Collaborative Practice and Public Art

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Ruairí Ó Cuív 

Public Art has been an evolving practice over many decades now, moving from the artwork (often sculptural) commissioned by architects or planners for the adornment of buildings or public spaces to much more complex and interesting practices embracing all art forms. That is not to say that on occasions a permanent artwork is not suitable or even brilliant. In this context, I think of commissions, such as, the iconic ‘Perpetual Motion’ by Remco de Fouw and Rachel Joynt for the Naas, bypass (N7),1995 commissioned by Kildare County Council or the highly nuanced sculpture ‘Misneach’ by John Byrne commissioned by Breaking Ground, Ballymun, installed in 2010. These two artworks espouse all that is excellent in such commissioning practice. But all too often this approach can be clumsy, simplistic, and populist (in the worst of ways) resulting in poor quality artwork, which is foisted on us permanently.

published 1 October 2012

related programme Collaborative Arts Partnership Programme
related events City Change Masterclass

Create News 12: Joshua Sofaer on collaboration and performance

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Joshua Sofaer 

Artist and writer Joshua Sofaer introduces Create’s Collaborative Arts Theatre Pack. He writes here on the development and thinking behind the Live Art Pack which has inspired the making of Create’s Collaborative Arts Performance Pack. Like the original Pack developed by Joshua Sofaer, the Create Collaborative Arts Performance Pack is both an artwork and education resource.

published 1 April 2012

related programme Artist in the Community Scheme

Create News 11: Mick Wilson on Understandings of Civil Society

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Mick Wilson

The task set for this short text is to consider the role of art and artists in: (i) supporting a sense of possibility within civil society; and (ii) preventing the shutting down of social and community discourses now regarded as outmoded by various institutional and political interests. These are quite daunting themes to address. Indeed, simply communicating what is at stake in these themes is perhaps already a task that exceeds what is possible in a thousand words. However, fools rush in…

published 1 September 2011

Create News 10: Michael Seaver on Artistic Excellence and Change

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Michael Seaver 

It’s been said many a time, but the story of dance in Ireland is the story of individuals. It’s a thin history, made up of individual threads of practice that has never been interwoven with schools of thought or aesthetics. The thin warp of personal ideals has never been joined by a weft of collective ideals.

published 1 April 2011

Create News 9: Daniel Jewesbury on The Value of Mentoring

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Daniel Jewesbury 

Dr Daniel Jewesbury is a visual artist based in Northern Ireland.
All art-making proceeds by questions. And each attempt at an answer brings more questions: it’s a dialectical process, always unfinished, always leading to some other consideration, some new problem that can enrich the understanding of a situation, not necessarily by being ‘answered’ definitively, but by suggesting yet more questions, more problems and concerns and new approaches.

published 1 September 2010

related programme Art and Society Learning Programme

Create News 8: Faisal Abdu’Allah on Risk

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Faisal Abdu’Allah

Faisal Abdu’Allah, Private Views, ed Judith Palmer (Serpents Tail)
My practice is a visual auto-biography played out in text, image and space, each one a true testament to my uncompromising and critical analysis of the collective I live in. My work in the community is the perfect catalyst to summarise my work ethic and principles. We are informed about the gallery space but never comprehend it as being an extension of the artist studio, a haven that purifies emotions through the evocation of fear, stimulation of thought and interaction. Questions of class, ownership and rites of passage are consistently volleyed around this creative playground.

published 1 April 2010

Create News 7: Annette Moloney on Arts and Health

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Annette Moloney

Contemporary arts practice is increasingly integrated into healthcare settings in Ireland, allowing for the creative expression of our own sense of humanity and at times giving voice to our isolation and loneliness. But how
do we articulate the value of integrating arts practice into healthcare situations and why place art and artists in such loaded contexts?

published 1 September 2009

related events Arts and Health Check Up, Check In
related events Check Up Check In 2019, Waterford

Create News 6: Sheena Barrett interviews Hans Ulrich Obrist

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Sheena Barrett with Hans Ulrich Obrist

Producing Communities – A Marathon not a Sprint. Sheena Barrett in conversation with Hans Ulrich Obrist. Sheena Barrett is Assistant Arts Officer, Dublin City Council and Curator of The LAB.

published 1 March 2009

Create News 5: Cliodhna Shaffrey interviews Tadhg O’Keefe

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Cliodhna Shaffrey with Tadhg O’Keefe

“Façadism – but we are going in” says Tadhg O’ Keefe, archaeologist and practitioner on a unique experimental archaeological project, Placing Voices, Voicing Places, that partners UCD School of Archaeology, UCD School of Sociology, UCD School of Cultural Policy, Dublin City Council, Office for Integration, Create, and the commissioned artists Ursula Rani Sarma and Sean Lynch to explore the landscapes of working class and immigrant communities of Dublin’s inner city – Clanbrassil Street and the Monto from the mid 19th Century through the 20th Century and into the present.

published 1 September 2008

related events Collaborative Praxis in Art and Architecture
related events People and Place in Cork, Tara Kennedy, Cork Midsummer

Create News 4: Michelle Browne on the Inter Art College Placement Programme

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Michelle Browne

‘What matters is the exemplary character of production, which is able first to induce other producers to produce, and second, to put an improved apparatus at their disposal. And this apparatus is better the more consumers it is able to turn into producers – that is readers or spectators into collaborators’
– Walter Benjamin – ‘The Author as Producer’

published 1 March 2008

related programme Art and Society Learning Programme