Resources

Create News 4: Michelle Browne on the Inter Art College Placement Programme

Periodical

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Michelle Browne

‘What matters is the exemplary character of production, which is able first to induce other producers to produce, and second, to put an improved apparatus at their disposal. And this apparatus is better the more consumers it is able to turn into producers – that is readers or spectators into collaborators’
– Walter Benjamin – ‘The Author as Producer’

published 1 March 2008

related programme Art and Society Learning Programme

Create News 3: Dr Maurna Crozier interviews Dragan Klaic

Periodical

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Dr Maurna Crozier, with Dragan Klaic

In the late 1980s the all-pervasive ‘two traditions’ model of Irish society was being widened, mainly to be more inclusive of the variety of economic, social, gender and age differences which it failed to articulate. It gave way to the more generic ‘cultural traditions’ which aimed to give a wider and more benign description to the great religious and political divisions for which Ireland was best known – but which was inaccurate almost as soon as coined, since it did not easily include the incomers bringing different cultural traditions to Ireland by the 1990s. ‘Multi-cultural’ was then generally adopted as the easiest description of the new society which lived in Ireland, though in the north of Ireland ‘cultural diversity’ was the working term, since it incorporated both the malign divisions which were still evident and aspirations for the tolerant diversity which were shared with all of Europe.

published 1 September 2007

Create News 2: Brian Maguire on Practice, Process and Audience

Periodical

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Brian Maguire 

Six artists from Ireland and four artists from the UK initiated and continued an intense conversation, part in private, part in public, over two days in Middlesex University and Soho Theatre, London on the 26th and 27th February. The initiative forms part of an ongoing bigger ‘conversation’ and initiative between NCAD, Create and ResCen, Middlesex University.
The overall purpose was to share understanding of individual practice and the audiences encountered, but in the process much larger philosophical issues emerged, making for a fascinating and illuminating event. An additional focus was on the role of the audience in the creative process and how these artists conceive of an audience during the creation of their work.

published 1 March 2007

related programme Art and Society Learning Programme

Create News 1: Willie White interviews Andrew Cross

Periodical

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Willie White with Andrew Cross

The thrill has gone from travel. While we may fancy ourselves to be Born to Be Wild, congestion, fuel prices, pollution, and talk radio conspire to degrade our daily journey to an ordeal to be endured rather than an adventure to be embraced. Over the long haul, if the terrorists or the DVT don’t get you the airport departure lounge will numb you into hopelessness. Yet there must have been a time before this when travel promised better things.
The work of English artist Andrew Cross allows for such a possibility. A self-confessed trainspotter, his interest in trains does not tally with the popular image of a nerd with a notebook recording engine numbers. He is more interested in the mechanism for travel and where the tracks might lead to.

published 1 September 2006